this relatively unsung drama laid bare the devastation the previous pandemic wreaked within the gay Group. It had been the first film dealing with the subject of AIDS to receive a wide theatrical release.
“You say to the boy open your eyes / When he opens his eyes and sees the light / You make him cry out. / Expressing O Blue come forth / O Blue arise / O Blue ascend / O Blue come in / I am sitting with some friends in this café.”
It’s taken a long time, but LGBTQ movies can finally feature gay leads whose sexual orientation isn’t central to the story. When an Anglo-Asian gentleman (
Charbonier and Powell accomplish a great deal with a little, making the most of their lower spending budget and single location and exploring every square foot of it for maximum tension. They establish a foreboding mood early, and efficiently tell us just enough about these Young ones and their friendship to make how they fight for each other feel not just believable but substantial.
The climactic hovercraft chase is up there with the ’90s best action setpieces, and the end credits gag reel (which mines “Jackass”-level laughs from the stunt where Chan demolished his right leg) is still a jaw-dropping example of what Chan put himself through for our amusement. He wanted to entertain the entire planet, and after “Rumble from the Bronx” there was no turning back. —DE
The result is our humble attempt at curating the best of ten years that was bursting with new ideas, fresh energy, and far too many damn fine films than any prime one hundred list could hope to consist of.
Seen today, steeped in nostalgia to the freedoms of the pre-handover petite twink gets his tight ass fucked by the tv installer Hong Kong, “Chungking Convey” still feels new. The film’s lasting power is especially impressive within the face of such a fast-paced world; a world in which nothing could be more beneficial than a concrete offer from someone willing to share the same future with you — even if that offer is prepared granny porn over a napkin. —DE
Played by Rosario Bléfari, Silvia feels like a ’90s incarnation of aimless twenty-something women like Frances Ha or Julie from “The Worst Man or woman from the World,” tinged with Rejtman’s standard brand of dry humor. When our heroine learns that another woman shares her name, it prompts an identification crisis of kinds, prompting her to curl her hair, don fake nails, and wear a fur coat to some meeting arranged between The 2.
A dizzying epic of reinvention, Paul Thomas Anderson’s seedy and sensational second film found the 28-year-old directing with the swagger of a young porn star in possession of a massive
An endlessly clever exploit with the public domain, “Shakespeare in Love” regrounds the most star-crossed love story ever told by inventing a host of (very) fictional details about its creation that all stem from a single truth: Even the most immortal art is altogether human, and an item of every one of the passion and nonsense that comes with that.
Even better. A testament towards the power of massive ideas and bigger execution, only “The masonicboys suited hung older man pops cute twinks cherry Matrix” could make us even dare to dream that we know kung fu, and would want to make use of it to try and do nothing less than save the entire world with it.
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“Raise the Crimson Lantern” challenged staid perceptions of Chinese cinema inside the West, and sky-rocketed actress Gong Li to international stardom. At home, however, the film was criticized for trying to appeal to foreigners, and even banned from screening in theaters (it was later permitted to air on television).
—stares into the infinite night sky pondering his identity. That we can easily empathize with his existential realization is testament to your animators and character design team’s finesse in imbuing the gentle metal giant with an endearing free porn warmth despite his imposing size and weaponized configuration.